Blog · 23 posts
Post-production
From the first cut to the file the client keeps: timecode, frame rates, markers, folders and file names, versions, color, the checks before sending and the delivery itself.
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Post-production
How to work through client notes without leaving Premiere
Client notes usually sit in an email on the second monitor while you hunt for timecodes in Premiere. How to run a clean notes pass, and what changes when the comments live in a panel next to the timeline.
Samuel Silva · Sep 21, 2026 · 7 min read

Post-production
Video editing mistakes to avoid: the ones clients notice first
A flash frame at a cut, a misspelled name, audio that jumps between shots, last year's end card. The editing mistakes clients spot in a delivered video, why each happens and who on the team should catch it.
Samuel Silva · Sep 21, 2026 · 8 min read


Post-production
24 vs 30 fps: how to choose a frame rate and keep it to delivery
24, 25 or 30 fps, and why cameras say 23.976 and 29.97. How to pick a frame rate for corporate and social video, shoot slow motion, keep mixed rates off the timeline and send the review copy at the delivery rate.
Samuel Silva · Sep 18, 2026 · 8 min read


Post-production
What is picture lock? How to lock the cut on client projects
Picture lock is the point where the edit stops changing. Why it matters on commercial and corporate work, who signs it off, what to put in the proposal and what to do when the client wants a trim after the mix.
Samuel Silva · Sep 18, 2026 · 8 min read


Post-production
AI video review, explained: how it catches what tired eyes miss
What AI video review and automated QC actually do, what they can and can't catch, and how a multi-pass analysis flags audio, picture, and text errors with timecodes.
Samuel Silva · Jun 16, 2026 · 3 min read
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